And the cherry on top of the cake was the bombing damage received during the Second World War.īy the late 20th century, the painting was barely recognizable. Furthermore, the refectory was used as a stable during the Napoleonic period and the damage increased. Italian and foreign artists visited the painting throughout the 16th century noticed and recorded the water damage. Originally, the wall where he painted the mural was a thin exterior wall that was more exposed to the elements.Īccording to Michael Ladwein, there was a catastrophic flood in Milan in 1500 that severely damaged the convent. He started the commission around 1494 and finished it by 1498. Unfortunately, this mural technique is not as durable as a fresco in certain circumstances, which Leonardo had not predicted.
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To find out more and how to become a member, please visit the University Library's website.More “visible” Copy of Da Vinci’s Last Supper by Giacomo Raffaelli in the Minoriten Sarah teaches and researches contemporary fiction and film, and has published and edited a number of books, including her first, The Palimpsest: Literature, Criticism, Theory (2007) and her most recent, Storylistening: Narrative Evidence and Public Reasoning (2021).Īs well as hearing from Sarah about her thoughts and observations on The Da Vinci Code, we will once again be opening the floor up to you, the club members, to share your own observations and remarks. The guest author joining us to discuss the book will be Dr Sarah Dillon, Reader in Literature and the Public Humanities in the University of Cambridge’s Faculty of English. Ghost Words is about the meticulous reconstruction of these faint outlines, often combining painstaking academic research with advanced photographic techniques the exact opposite of Brown’s pacy imaginings. We’ve chosen it because it marks the antithesis of our next exhibition Ghost Words: Reading the Past, an exploration of palimpsests – documents, often biblical texts, often 1000 years old or more, that were scraped clean and then written over.
It’s sold over 100 million copies worldwide, was adapted into a Hollywood film starring Tom Hanks, and will be hitting the London stage in 2021. It’s a book about a coded message, with a preposterous view of academic research, a mangling of bible history, and has been called an attack on the Catholic church. On Tuesday 15 December the discussion will be on the 2003 mystery thriller, The Da Vinci Code, by Dan Brown. Everyone is invited to join their guest author to discuss a really popular book, one that we all know and perhaps or perhaps not love. The Really Popular Book Club is the new reading group hosted by Cambridge University Library.
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